Jenn's World

And by traditional Irish folk song, I meant written about the 1916 Irish uprising...oops. I don't know if that counts or not. Incidentally, one of the Easter Uprising players' names was Éamon de Valer. Eamon Valda?

It's like when I found out "Lugard" was a British Governor in Africa. Robert Jordan must have had an incredible grasp/memory for history or he just plucked random names out of non-fiction books he found in the library.

Yesterday, instead of blogging (or writing) I went to the Tulip Festival at Thanksgiving Point. Gorgeous pictures, which I will hopefully, one day, have time to Photoshop and push here. I'm thinking of trying to sell the gardens a calendar or something that they could sell in their Gift Shop. Money is as money does.

My novel's coming along swimmingly. I can do 3,000 words a day or more if I concentrate. Of course, I'll have to throw half of them out the window because they're repetitive but ah well. the only problem is, sometimes my mind can't keep up with my fingers and I write some strange things.

Oddly enough, I write faster sprawled on my stomach in front of my laptop than I do at a desk. I think my 1.5 years as a corporate word-jockey have permanently given me a fear of desks, desk job, and everything that goes with them. With a laptop, I find I can be more creative. I can let the typos flyyyyyy. So, note to writer's block sufferers, try typing on a different kind of computer and see if that jars some words loose.

I've been doing a battle scene, originally minor in the outline, it now sprawls over 10,000 words and three viewpoint characters. The problem is, battles require a heck of a lot of description and a lot of motion. They're not just static. And it just EATS the words up.

Besides, its hard not to expand things to an epic scale when you're listening to Celtic battle music. I dare you to TRY writing a short battle scene after listening to Foggy Dew (see lyrics above).

A strange side effect is that my dragonriders developed an Irish brogue. I doubt I'll keep it--I'm not very good at writing dialect, it's HARD. On the other hand, how cool are IRISH dragonriders? I mean, c'mon. You just know you'd want them swooping in to save the day.

In news, George R. R. Martin reports that filming has begun on the miniseries (for HBO I think) "Game of Thrones." I've always thought these epic fantasy series would make better miniseries than movies. I'm sure a thousand Hollywood screenwriters have knocked their heads together wondering how on earth to turn Wheel of Time into a movie. On the other hand, I think it would make a good series. Episode one: Moirane comes to town + the Trollocs attack. Episode two: Rand hauls his dad through the forest and gets him healed, boys are forced to leave. Episode three: fleeing from Trollocs, hitting Baerloen, maybe cutting out everything else until we reach the gates of Shador Logath. Episode four: Mordeth and the flight from Trollocs... Etc.

HBO did a good job with TruBlood, although I think it lost a lot of its charm in translation just because you can't capture the quirky humor inside Sookie Stackhouse's head with a corny voice-over. The Wonder Years, vampire style.

Gotten go answer email now. Audios!

What makes a good cover? Bright colors? Scantily clad women? I don't know. It has to catch the eye and promise me a sense of wonder--a world that is full of unique, vibrant life and creatures that strain my imagination. I want a setting that blazes with magic and power and corrupt empires. For some reason, this cover does it for me. I don't know why, since there's no people or monsters or much of a world to speak of. Something about the colors and the sword and the water. I love sailing tales--perhaps why Janny Wurts carries a special place in my heart despite the fact that nobody else seems to like her.

Perhaps its the setting sun, or the subtle highlights in the water, or the sparkles around the magic sword. All this catches my eye and makes me want to glance at the book.

The website's pretty nifty, too. Talk about great ambient sound: you have birds crying, the waves washing on shore, and an old violin whispering out its melancholy song. Definitely a cut above normal book websites. No way to see the back cover material yet, which is a seller for me, but the first line sounds good. I might have to crawl on over to the library.

Got home from my writing convention. Boy, was it a draining week. Good, but also exhausting. Here's this week's writing exercise. I'll have to standardize the format later. I'm ready to slump into bed and sleep for three days.

Writing Prompt #2:
GENRE: Fantasy
TYPE: Character/Setting

There are certain tropes that can be found everywhere in the fantasy universe, whether its in Terry Brooks to Terry Goodkind. Some of those are races, such as dwarves, elves, fairies, etc. Take one of those races and twist it in a way that you hadn't thought of before. For instance, normally unicorns are white, gentle and have a thing for nubile young virgins. What if unicorns were the opposite of what you'd expect? Black-skinned, obsidian war-horses who are unashamedly attracted to 'loose women'? In their human form, maybe they wear black leather. If they're urban fantasy unicorns, maybe they ride Harleys and get into fistfights over who gets to sleep in the Princess' stable.

Go forth and write well.

Agent Kristin over at Pub Rants had as an interesting blog entry about U.S. vs. U.K. publishing and bookselling, including a demo book that has a U.S. and a British version with completely different covers and titles. I like the U.S. version myself. I guess I'm more interested in wizards than ghosts. I'm also more into the U.S. cover picture—a meeting of people plotting together—than in a little girl sitting up in a tree. To me, the British version of the cover screams Pippi Longstalking age. I'd pick up the U.S. version to look at the jacket, but the British version I'd pass on the shelf.

From Kristin's comments page, I guess I'm the minority.

Here's the link.

I'm going to be down for a few days to prepare for a writing conference next week. Coming soon: reviews of the Last Herald Mage series.

Six things that make or break good SF/F (besides the basic character/dialogue/plot that doesn't suck space brains.)

1) Religions. Given that religion has pretty much powered human culture for the last...well, ever...why is it usually mistreated in SF/F? Sure, the protagonist may refer to Z'frisjahbi's left prota-megalon in his futuristic swear words, but that's about all. Why are 99% of SFF books (when they deal with the point at all) full of monotheistic, so-seldom-mentioned-they-are-hardly-there religions. The exception to this are the evil priests, who wander around in black robes doing kinky human sacrifices. Because human sacrifice has only been out of favor in European cultures since the late Roman empire, so of course the SPACE CULT will be hip to it...

Stories that do interesting things with religion: Katherine Kurtz' Deryni series, The Prince of Nothing by Scott R. Bakker.

2) Families. No one is an island to themselves, yet SF/F tends to fall under the orphan cliches. Of course, adventurers aren't likely to have kids... (unless the author needs a sequel) but don't they come home to visit their parents every once in awhile? And don't get me started on sisters...if I were a hero, I'd lock my sister in the most well-defended keep I could find and stand on the balcony with my crossbow at the ready because you just KNOW the bad guys are going to come to take her away.

Stories that do interesting things with family: The Children Star by Joan Slonczewski, Last Herald-Mage series by Mercedes Lackey

3) Non-european cultures/creatures. This is a difficult line to parse. Are Orson Scott Card's asians in Xenocide/Children of Mind interesting and accurate or a blatant, horrible stereotype? At least in Xenocide, I vote for the earlier, but I found the same author's Magic Street to be too hard to swallow and had to stop listening to it on audiobook (maybe reading it would have felt a little less jarring). Geoff Ryman's Air, which I enjoyed despite a plot that makes NO SENSE and includes a woman getting pregant via oral sex and devloping a fetus in her stomach, has a great sense of cultural awareness because the remote villagers use their remoteness to sell traditional crafts online. It's hard to do this well, and I give a lot of kudos to the authors who manage to do it right.

Another book that does it well: The Lions of Al-Rassan by Guy Gavriel Kay.

4) Women who kick ass. All right, so this is a steroetype by now, but I like smart-mouthed women who kick ass. I hate when they go all weak and simpery for the main hero, though. Good characters suddenly become USELESS for no apparent reason. I'm trying to think of some good examples at the moment. I know they're out there but nothing's coming. Anne McCaffrey's pretty good at this. An addendum to this is playing with gender, ala Ursula LeGuin's The Left Hand of Darkness. I took a class on science fiction and gender and have a lot of good short stories that mess around with it, but not so many full-length books. Trouble and Her Friends, by Melissia Scott, is pretty much same-old-same-old cyberpunk but the lesbian protagonist is interesting. And who could forget the inesteemable Octavia Butler?

5) Humor. I love humor in writing, especially if it involves self-aware genre-bending. While a wacky trip through the bizarre is sometimes good, I also like books who take a moment to poke fun at themselves and their characters. Because reading is supposed to be, you know, fun.

Books that do it well: Terry Pratchett, Villains by Necessity by Eve Forward, Dealing with Dragons by Patricia Wrede.

6) Great villains. Nothing makes me hate a book more than a weak, easily-beaten villain. Well, there are a lot of things I hate more, but this is certainly on my top ten. Villains should be as understandable and sympthatic as their enemies. Because nobody watchs Silence of the Lambs because of Clarice. And what kind of world would we have without Darth Vader or Cthulu?

Books that do it well: Raistlin, from Dragonlance Legends by Tracy Hickman/Margaret Weiss. The Lancasters from GRRM's A Song of Fire and Ice. Agent Smith from The Matrix (okay, that wasn't a book...)

Heh. Now I've probably gone and dated myself. How many of those books have come out RECENTLY? Finding good, new books is always difficult—I tend to stick to the authors I'm fond of, plus recommendations from friends.

Fans are getting ready for the release of the new Star Trek movie with their usual mayhem. Including swag about the ST:TNG, the BEST Star Trek ever, IMHO.

• Ever wondered what the Mythbusters would look like in Trek uniforms? Photoshop fun here.
• The 8 worse ST:TNG episodes, from Topless Robot (I liked Rascal, though.). Yeah, there was some stupidity. But at least they didn't discover that the holy writing was actually the constitution... They missed Code of Honor. Come on, Yar vs. YAREENA??? Note: Wil Wheaton is writing for the TV SQUAD Review, and he sounds like he hates Wesley Crusher as much as the rest of us. HILARIOUS. Other bad eps: Angel One and Justice. Naked Now should be number one. The day I saw that episode, I nearly choked to death on my own bile. I'll never be able to use the word "functional" again...
• And finally, the Borghemian Rapsody. Enjoy.